Chaozhou culture is an important branch of Chinese culture


2022-06-24: [Chinese Article Link]  00:00:00 p.m. Details, drop it. 00:00 p.m. □ tidal sound During a visit to Guangdongzhou in October 2020, the General Secretary Xi Jinping stated that “the Tianzhou culture has a distinct geographical identity and is an important component of the Lingnan culture and an important pillar of the Chinese culture”. We are called upon to “research, take care of, build on” the historic and cultural city of Tianzhou, “to preserve the legacy of urban history and culture and to continue the urban culture”. How to understand the rich content of the important statement that “Tianzhou culture is an important pillar of Chinese culture” and what is the historical origin of the Tianzhou culture? What is its inner core and value system, and what is the way forward for the Tianzhou culture, which is an important pillar of Chinese culture? The systematic study and collating of Tianzhou culture is the task entrusted to us by Xi Jinping General Secretary and will help us to strengthen our cultural self-confidence by uniting the many Tianzhouns, both within and outside the country, in order to build greater strength for the great revival of the Chinese nation. The tides follow the tides. Where the tides come from, they can see the direction of the tides. The culture of the tidal states, which has accumulated for thousands of years, grows from a distance, and grows from a depth of roots. Chiuzhou is a central part of Chiuzhou culture, and the Mountain Water City Bridge is perfect. From the outside, to the seafront. Chuzhou, south of the five ridges, the easternmost part of Guangdong, and the southern part of the sea, and the north of the mountain. The Tianzhouites mocked the land on which they found themselves with the Cape of the Province, but for thousands of years Tianzhou has been interacting strongly with the Chinese culture, which is centred on the Central China region. The first is a unique indigenous culture. The euphoric culture of 8,000 years ago was the first human activity site to be found in the tidal zone, such as the life of mountain humans at sea fishing for fish and shrimp shellfish; the Chen bridge culture of 6,000-5,500 years now, which showed that the Chen Qi had been able to build stone tools and burn pottery; and the Flying Culture of about 3400-2900, which showed that the flotillas had entered the threshold of bronze civilization and had been able to produce large pottery and develop maritime traffic and trade. In the long history of China, the tidal region has for a long time been an outsider, and the former regime in the north has continued to develop the tidal zone through military presence and formation, but until Tian Tang, the indigenous minority in the Tianzhou region remained strong. On the 9th day of a Korean concert, eight thousand people were killed, and on the 14th year (in 819) Tang Xingjun won and Han was reduced by the Squire of the Criminal Department to Tsiaozhou's history. From the Nine Days to the Eight Thousand Roads, it was inevitable that Korea would be frustrated at the time, but when it arrived in Tianzhou, it became an important sign of official integration between Tianzhou and Chinese culture. The east-west-north-west-northwest-north-north-east-north-north-west-bound Wuwa Mountains meet in the north-tidal north-west of the South China Sea, with a residual route to the south-west of the South China Sea, becoming the Lotus Mountains across the north-west of the tidal zone, separating the tidal river from the Pearl River basin from the top of the region; and a river that is connected up by the Korean River between the Ting and the River, for which the sea is stymied by its “south-west” coastline. Most of the time in the tidal zone, however, the culture is clearly different from that of the popular culture. Geographically, the tidal zone is indeed “the end of the province”, but also because of its remoteness and isolation from the popular capital, which allows the tidal zone to interact directly with the bordering Fujimori in terms of geography and humanities. Dynamite. Reporter Susie, South Daily. The development and exploitation of the Korean River Delta has led to an improvement in the region’s living environment, attracting the arrival of senior officials and a large number of people to move directly. The Chinese mainstream culture has been brokered by culture, and its impact on the region has intensified. According to Xiang Jian Jing, there are 41 families of Song Dai immigrants, mostly from Guanji, occasionally or from other provinces, who are largely defunct. These families, many of them local, such as Chen, Lin, Huang, Choi, Peng, Yuan, Zheng, Shaw, Fang, Liu, Zhang, Wei, Ding, etc. In the run-up to the Song Won, the two Emperors moved from China to China, and again to the west, where some of the military and military were scattered. With the community moving south, the spread of culture, customs, courtesy, etc., led to advanced agricultural and handicraft production methods, the rise of the ceramics industry, and the active activities of maritime shipping and commerce made the Tianzhou one of the port of origin of the sea silk route. In the spirit of good governance, Song Dynasty officials are committed to the development of the prefectural Confucianism, the development of the bookstores and social studies, and the development of the Quantico so that the Tianzhou “does well, so that the Church of Corrections can meet with the First Member of Parliament” and Tsang State Education has been at the forefront of the province. From less than 2,000 in Shao Xing's 20 years (1150), the number of candidates in Tianzhou has reached more than 10,000 in the late South Song, with a population of more than 100,000 households at that time, with an average of 1 in 10 households taking the examination. After Guangzhou, nearly half more than the third state and one of the country's more than one state capitals. During the two Songs, China's economic and cultural focus was gradually shifting southwards, and the relocation of the south was taking place, leaving China's political centres in the south for more than a hundred years, which undoubtedly reinforced and consolidated the existing pattern. Taking advantage of this opportunity and the opportunity for rapid development, Chiuzhou is gradually becoming the “Ringnam County.” The growing scale of immigration has driven the growth of the local economy, with school education and science, and the growing diversity of religious beliefs as a result of the growing socio-cultural mainstream of doctoral culture in Chiuzhou. As a result of the joint efforts of officials, gentlemen and ordinary people, Chiuzhou became a beautiful city known as “Zolu on the beach.” Song Dynasty-Mou lauded the Tsang State in the Fanjing Fair: “Although the seals are inflamed, the artifacts are no different from the upper part of the country; after the visit of Yang Wanli, the great Southern Song poet, to the Tsang-sang-sang Province, he wrote in the Shinyang Road: “The earth is as flat as a tree, and the field has a pamphlet as a beam. Go to the bottom of the old Tsang State, and now the wind canopy is south." From time to time, Chiuzhou has been made a living window for the ancient culture of the Middle East. On the street of the card shop, a second stage of the shop was opened, bearing in mind the sages and Young-jae in the history of the Tianzhou, which highlighted the values of the Chinese nation's loyal friends and family. During the year of Kim Dynasty, during his term of office, the Tsangzhou Governor, Chu Qui-jin, founded the Ten-Singing Room, which was set up to mark the ten clans of Chang-yuan, Li Zong-jin, Yang, Li Dhu, Chen Yoo-zo, Zhao Dynasty, Wu Nio, Lu Su-fu, Wen Xiang and Zhang Shi Jie. They are known as "Song's last triad" when they struggled to resist the soldiers and preserve the dignity of their people. When they arrived in Chiuzhou, the Song dynasty died. Historic Chen Chul-tian once said, “The culture of the Chinese people has evolved thousands of times, and is the greatest in Zhao’s life.” Song, whose economy and culture are well developed, and whose lives are rich and rich, paint a great deal of color in China’s ancient history. In the Tianzhou spectrum, the South Songs vehemently sang a pessimistic song, which was the end of the feudal era's “destroyal peak”, and the Tianzhou became its last. The fate of Man-sang and others, the loyalty of all of them to the young masters, has not been exchanged for the continuation of the Song dynasty, or has become known in their hearts and minds, but has maintained the last schism of the class and led the Tianzhou people in their heroic resistance, with the appearance of moving protagonists such as Mae, Mrs. Xu, Chen Xiang, Chen Qing and Chen. Huen Wen Wen Wel-Yu County has demonstrated a strong spirit of loyalty to the nation, which is also a clear manifestation of the legacy of the Chinese people's excellent traditional culture. Confucianism has continued to develop in Ming Dynasty, where Wang Yangming’s heart has emerged. Tsiaozhou has become an important epicentre, with the words “Thai State School” saying that Wang Yangming’s concept of “know-it-all” is widely accepted, and that it may be related to the fact that it is realistic and practice-oriented cultural character. Ming Dynasty has become the most popular student in Chuzhou, where Wang Yang Ming is represented by Xue and Hsi-chun, who serve in the Ministry of Home Affairs. The achievements are at the forefront of the province as a whole, and Mingdao County has a total of 160 promoters and 162 candidates. In particular, Kachang's 23rd A/Teek (1544), the 10 members of Guangdong Chengzhou, seven of them, gave birth to “the first seven hyuns” and “the second hyuns” (the second seven hyuns) of Ming Dynasty. It is rare at the local and municipal levels, from ideas, rituals, customs, to crafts, to diets, to the size, scale, spread, and level of culture. The Chiuzhou culture is characterized by its self-contained system and diversity, which has been passed on from one generation to another as a “window of the ancient culture of the Middle East” and a living fossil of the Chinese civilization. Chiuzhou has a rich and diverse cultural heritage, with its distinctive and varied cultural identity; its cultural character, precision and fineness, which is the evaluation by many of its people of the art of chiuzhou; its original and living cultural heritage, a “living millennium city” with its historical veins, its “visibleness to life” and its “precedent value, which is rare”. The culture of Chiuzhou is rich. The formation of the cultural heart of the ancient city of Chiuzhou reflects the philosophy of the unity of the human race; the traditional tradition of transmitting the genes of the Chinese culture of the “regard of the spirit of the word”; the values of the Chinese nation's loyalty to its friends and relatives, such as shrines, temples, brands and various folk activities; the rich variety and fine crafts of the Tianzhou craftsmanship, which reflect the high standards of aesthetic excellence of the Chinese nation; and the emergence of a successful business community, with a strong cultural identity, among other things, both within and outside China. Chiuzhou carvings. The Chauzhou dialect is called the “Guhan living fossil.” As a branch of the Song Wonnan play, it is a wonder of Chinese music. Chaozhou music is a living specimen of ancient Chinese music, known as the “Purpose of Chinese folk music” and contains many ancient medals, as well as the “Twenties” that have been lost in the Chinese region. In Chiuzhou, many folk etiquettes remain traditional, and when a child reaches the age of 15, parents perform “out of the garden” or “adults” for the hipsters. Tsiaozhou is an art-oriented institution, which uses gold and silver-line embroidery, regardless of material and work-time costs, and the Tsingzhou wood sculptures are attached to the gold sculptor. More than 40 techniques, such as titanium, titanium sarcophagus, titanium sculptures, titanium ceramics, titanium paper clippings, titanium clays, titanium mosaics, and titanian masonry, which are characteristic of the society as a whole, are the inheritance of the “prosecution” and “precision” of the traditional Chinese culture, the materialization of the spirit of the tidal state culture, the display of Chinese aesthetics, and the expression of the Chinese nation's love for life and its desire for the beauty. To sum up, Tianzhou culture, which is an important pillar of Chinese culture, has always maintained the value orientation, aesthetic pursuit and national identity of the Chinese culture of excellence, regardless of its diversity and its long-term transmission. The Chinese culture has been concentrated on several occasions in the south, in the Yangtze plains around the Phoenix Hills in Dongdong, and through the persistence, integration and diffusion of generations of Tianzhou people, the Tianzhou cultural system is unique to its traditional culture. There's a lot of Tide State culture out there. It is often said that “one tidal state abroad” is an indication of the presence of a large number of people abroad. From the beginning of South-East Asia to the aftermath of this, in the United States, Europe, and Oceania, the spread of tidal footprints is an important part of Chinese migration abroad and a continuation of the ethnic story of tidal booms. During the Xuantang era, Chiuzhouns began to cross the sea, followed by waves of tidal wavers arriving in South-East Asia. After Qing Dae-hee Kang-hee, maritime trade resumed and became active on an ever-increasing scale, and the “Red Headship” became a cultural symbol of tidal traders at the time. Linked to maritime commerce, the expansion of overseas migration has led to the first wave of migration of tidal-states to South-East Asia in the late eighteenth century. Since the opening of the port in 1860, improved transport conditions have led to a rapid increase in the number of migrants to South-East Asia, resulting in a second wave of migration. The vast ocean gives tides a natural sense of adventure, and the smallness of the population forces tides to go abroad to trade and migrate. As the sea silk road and tides go down the ocean, the tidal state culture naturally moves abroad, with powerful radiation and influence. "Where there are tidal States, there are tidal States." In China’s recent modern history, the tidal wave has been a major out-of-country migrant, with large numbers of immigrants, large geographical areas, and long migration periods, which are rare in the world. From the bottom of the leaf to the bottom of the ground, the diaspora has gradually developed. According to Chauzhou City Gazette (1992-2005), in 2005, the city of Chauzhou emigrated to more than 40 countries and regions on five continents. Singapore accounted for 42 per cent of Tianzhou emigrants, Thailand 33 per cent, Malaysia 7 per cent, Indonesia 4.4 per cent, Viet Nam 4.6 per cent, the United States 2 per cent, and older persons, Cambodia, plus, France, the United Kingdom, Brunei Darussalam and Australia. The Chaozhou culture is a dynamic and open system that combines farming culture with ocean culture, Chinese immigrant culture with native culture, Chinese culture with world civilization for a long time. In its long-term development, China’s culture, “Wascha oriente,” has always kept the tone based on its powerful cultural genes, and on the massing of communities. Moreover, the arrival of this unique group, Dr. Nakahara, has given it both a cultural character of “deterrence and discipline” and a higher degree of commitment, respection, and self-perception with respect to China’s excellent traditional culture. The tea is a way of life for people living in the country and abroad. After a self-contained system, Chiuzhou culture spreads abroad as a result of the migration of tidal groups, while incorporating other cultural factors. Extremists continue to practise Tianzhou culture in the country. In South-East Asia, in particular, tidal waves of overseas migrants, who are linked to the diaspora, maintain very close interaction with the mainland, and bring the Tianzhou culture to the rest of the world. In South-East Asia, the Tianzhou custom has been preserved in its entirety by the establishment of populist festivals and the passage of folklore festivals. At present, there are about 15 million Chinese diasporas and their descendants from overseas (formerly the capital of the Tianzhou State) in the five continents of the world, accounting for one fifth of the country's expatriates. Expatriate family members have inherited the virtues of filtration, patriotism and love, which have made a significant contribution to the prosperity of their communities and to the development of their homelands and homelands. The tide has its roots in Tianzhou; it has its roots in the future. At this time, Tianzhou City is making every effort to host the annual meeting of the International Tide League in 2024. The annual conference of the Sorority International is the most influential international event known by the tides, both within and outside the country, and is a sign of solidarity and great development for the world's people. Chiuzhou is the home of the capital city, the birthplace of the Tianzhou culture, and, above all, the common spiritual home for the local and foreign tides. On 26 June, at 9 a.m., the President and Secretary-General of the twenty-first annual meeting of the International Tide Leagues will be held in Haikou, Hainan Province, at which time eligible members will elect the host of the twenty-second annual meeting of the International Tide League from the city of Tianzhou, the city of Tianjiang, the Singapore Tianhai State Pavilion, the Philippine General Chamber of Trade and five units of the Cambodian Tianzhou Pavilion by secret ballot. The Tianzhou culture, which is an important pillar of Chinese culture, is a long-standing historical painting volume and, more importantly, a “beautiful pavilion” towards the future. As a central part of Chiazhou’s culture, the Hill and Water City Bridge is perfect, and the Three Mountains and One Continents guard the ancient city. For many years, Chiuzhou, following the principle of strict control over the city as a whole, has preserved it in its entirety. At the present time, Chiuzhou still has the true nature of ancient mountain waters, ancient city patterns, architectural mythology, and ancient city life. The Chiuzhouns live and work in ancient cities, a city that is living, smoked, humanized, and warm. China's traditional cultural richness has been preserved in all aspects of the Chiuzhou culture. San Shui-Song City embodies the traditional philosophy of oneness. The fine arts and crafts reflect the high cultural aesthetic standards of the Chinese nation. The unique folk tradition preserves the loyalty of the Chinese people to the Chinese people and the spirit of the Chinese people's filial spirit. The fine-working, monolithic Chinese foods reflect the Chinese nation's love for life and optimism. In this way, we sincerely invite people from all over the world to enter Tianzhou and experience Tianzhou culture, so that together in this living ancient city of the millennium, taste history can nourish the present and create the future.


Note: This is a machine translated version of the Chinese news media article. A mature and nuanced reading is suggested.



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Chaozhou culture is an important branch of Chinese culture


2022-06-24: [Article Link]  00:00:00 p.m. Details, drop it. 00:00 p.m. □ tidal sound During a visit to Guangdongzhou in October 2020, the General Secretary Xi Jinping stated that “the Tianzhou culture has a distinct geographical identity and is an important component of the Lingnan culture and an important pillar of the Chinese culture”. We are called upon to “research, take care of, build on” the historic and cultural city of Tianzhou, “to preserve the legacy of urban history and culture and to continue the urban culture”. How to understand the rich content of the important statement that “Tianzhou culture is an important pillar of Chinese culture” and what is the historical origin of the Tianzhou culture? What is its inner core and value system, and what is the way forward for the Tianzhou culture, which is an important pillar of Chinese culture? The systematic study and collating of Tianzhou culture is the task entrusted to us by Xi Jinping General Secretary and will help us to strengthen our cultural self-confidence by uniting the many Tianzhouns, both within and outside the country, in order to build greater strength for the great revival of the Chinese nation. The tides follow the tides. Where the tides come from, they can see the direction of the tides. The culture of the tidal states, which has accumulated for thousands of years, grows from a distance, and grows from a depth of roots. Chiuzhou is a central part of Chiuzhou culture, and the Mountain Water City Bridge is perfect. From the outside, to the seafront. Chuzhou, south of the five ridges, the easternmost part of Guangdong, and the southern part of the sea, and the north of the mountain. The Tianzhouites mocked the land on which they found themselves with the Cape of the Province, but for thousands of years Tianzhou has been interacting strongly with the Chinese culture, which is centred on the Central China region. The first is a unique indigenous culture. The euphoric culture of 8,000 years ago was the first human activity site to be found in the tidal zone, such as the life of mountain humans at sea fishing for fish and shrimp shellfish; the Chen bridge culture of 6,000-5,500 years now, which showed that the Chen Qi had been able to build stone tools and burn pottery; and the Flying Culture of about 3400-2900, which showed that the flotillas had entered the threshold of bronze civilization and had been able to produce large pottery and develop maritime traffic and trade. In the long history of China, the tidal region has for a long time been an outsider, and the former regime in the north has continued to develop the tidal zone through military presence and formation, but until Tian Tang, the indigenous minority in the Tianzhou region remained strong. On the 9th day of a Korean concert, eight thousand people were killed, and on the 14th year (in 819) Tang Xingjun won and Han was reduced by the Squire of the Criminal Department to Tsiaozhou's history. From the Nine Days to the Eight Thousand Roads, it was inevitable that Korea would be frustrated at the time, but when it arrived in Tianzhou, it became an important sign of official integration between Tianzhou and Chinese culture. The east-west-north-west-northwest-north-north-east-north-north-west-bound Wuwa Mountains meet in the north-tidal north-west of the South China Sea, with a residual route to the south-west of the South China Sea, becoming the Lotus Mountains across the north-west of the tidal zone, separating the tidal river from the Pearl River basin from the top of the region; and a river that is connected up by the Korean River between the Ting and the River, for which the sea is stymied by its “south-west” coastline. Most of the time in the tidal zone, however, the culture is clearly different from that of the popular culture. Geographically, the tidal zone is indeed “the end of the province”, but also because of its remoteness and isolation from the popular capital, which allows the tidal zone to interact directly with the bordering Fujimori in terms of geography and humanities. Dynamite. Reporter Susie, South Daily. The development and exploitation of the Korean River Delta has led to an improvement in the region’s living environment, attracting the arrival of senior officials and a large number of people to move directly. The Chinese mainstream culture has been brokered by culture, and its impact on the region has intensified. According to Xiang Jian Jing, there are 41 families of Song Dai immigrants, mostly from Guanji, occasionally or from other provinces, who are largely defunct. These families, many of them local, such as Chen, Lin, Huang, Choi, Peng, Yuan, Zheng, Shaw, Fang, Liu, Zhang, Wei, Ding, etc. In the run-up to the Song Won, the two Emperors moved from China to China, and again to the west, where some of the military and military were scattered. With the community moving south, the spread of culture, customs, courtesy, etc., led to advanced agricultural and handicraft production methods, the rise of the ceramics industry, and the active activities of maritime shipping and commerce made the Tianzhou one of the port of origin of the sea silk route. In the spirit of good governance, Song Dynasty officials are committed to the development of the prefectural Confucianism, the development of the bookstores and social studies, and the development of the Quantico so that the Tianzhou “does well, so that the Church of Corrections can meet with the First Member of Parliament” and Tsang State Education has been at the forefront of the province. From less than 2,000 in Shao Xing's 20 years (1150), the number of candidates in Tianzhou has reached more than 10,000 in the late South Song, with a population of more than 100,000 households at that time, with an average of 1 in 10 households taking the examination. After Guangzhou, nearly half more than the third state and one of the country's more than one state capitals. During the two Songs, China's economic and cultural focus was gradually shifting southwards, and the relocation of the south was taking place, leaving China's political centres in the south for more than a hundred years, which undoubtedly reinforced and consolidated the existing pattern. Taking advantage of this opportunity and the opportunity for rapid development, Chiuzhou is gradually becoming the “Ringnam County.” The growing scale of immigration has driven the growth of the local economy, with school education and science, and the growing diversity of religious beliefs as a result of the growing socio-cultural mainstream of doctoral culture in Chiuzhou. As a result of the joint efforts of officials, gentlemen and ordinary people, Chiuzhou became a beautiful city known as “Zolu on the beach.” Song Dynasty-Mou lauded the Tsang State in the Fanjing Fair: “Although the seals are inflamed, the artifacts are no different from the upper part of the country; after the visit of Yang Wanli, the great Southern Song poet, to the Tsang-sang-sang Province, he wrote in the Shinyang Road: “The earth is as flat as a tree, and the field has a pamphlet as a beam. Go to the bottom of the old Tsang State, and now the wind canopy is south." From time to time, Chiuzhou has been made a living window for the ancient culture of the Middle East. On the street of the card shop, a second stage of the shop was opened, bearing in mind the sages and Young-jae in the history of the Tianzhou, which highlighted the values of the Chinese nation's loyal friends and family. During the year of Kim Dynasty, during his term of office, the Tsangzhou Governor, Chu Qui-jin, founded the Ten-Singing Room, which was set up to mark the ten clans of Chang-yuan, Li Zong-jin, Yang, Li Dhu, Chen Yoo-zo, Zhao Dynasty, Wu Nio, Lu Su-fu, Wen Xiang and Zhang Shi Jie. They are known as "Song's last triad" when they struggled to resist the soldiers and preserve the dignity of their people. When they arrived in Chiuzhou, the Song dynasty died. Historic Chen Chul-tian once said, “The culture of the Chinese people has evolved thousands of times, and is the greatest in Zhao’s life.” Song, whose economy and culture are well developed, and whose lives are rich and rich, paint a great deal of color in China’s ancient history. In the Tianzhou spectrum, the South Songs vehemently sang a pessimistic song, which was the end of the feudal era's “destroyal peak”, and the Tianzhou became its last. The fate of Man-sang and others, the loyalty of all of them to the young masters, has not been exchanged for the continuation of the Song dynasty, or has become known in their hearts and minds, but has maintained the last schism of the class and led the Tianzhou people in their heroic resistance, with the appearance of moving protagonists such as Mae, Mrs. Xu, Chen Xiang, Chen Qing and Chen. Huen Wen Wen Wel-Yu County has demonstrated a strong spirit of loyalty to the nation, which is also a clear manifestation of the legacy of the Chinese people's excellent traditional culture. Confucianism has continued to develop in Ming Dynasty, where Wang Yangming’s heart has emerged. Tsiaozhou has become an important epicentre, with the words “Thai State School” saying that Wang Yangming’s concept of “know-it-all” is widely accepted, and that it may be related to the fact that it is realistic and practice-oriented cultural character. Ming Dynasty has become the most popular student in Chuzhou, where Wang Yang Ming is represented by Xue and Hsi-chun, who serve in the Ministry of Home Affairs. The achievements are at the forefront of the province as a whole, and Mingdao County has a total of 160 promoters and 162 candidates. In particular, Kachang's 23rd A/Teek (1544), the 10 members of Guangdong Chengzhou, seven of them, gave birth to “the first seven hyuns” and “the second hyuns” (the second seven hyuns) of Ming Dynasty. It is rare at the local and municipal levels, from ideas, rituals, customs, to crafts, to diets, to the size, scale, spread, and level of culture. The Chiuzhou culture is characterized by its self-contained system and diversity, which has been passed on from one generation to another as a “window of the ancient culture of the Middle East” and a living fossil of the Chinese civilization. Chiuzhou has a rich and diverse cultural heritage, with its distinctive and varied cultural identity; its cultural character, precision and fineness, which is the evaluation by many of its people of the art of chiuzhou; its original and living cultural heritage, a “living millennium city” with its historical veins, its “visibleness to life” and its “precedent value, which is rare”. The culture of Chiuzhou is rich. The formation of the cultural heart of the ancient city of Chiuzhou reflects the philosophy of the unity of the human race; the traditional tradition of transmitting the genes of the Chinese culture of the “regard of the spirit of the word”; the values of the Chinese nation's loyalty to its friends and relatives, such as shrines, temples, brands and various folk activities; the rich variety and fine crafts of the Tianzhou craftsmanship, which reflect the high standards of aesthetic excellence of the Chinese nation; and the emergence of a successful business community, with a strong cultural identity, among other things, both within and outside China. Chiuzhou carvings. The Chauzhou dialect is called the “Guhan living fossil.” As a branch of the Song Wonnan play, it is a wonder of Chinese music. Chaozhou music is a living specimen of ancient Chinese music, known as the “Purpose of Chinese folk music” and contains many ancient medals, as well as the “Twenties” that have been lost in the Chinese region. In Chiuzhou, many folk etiquettes remain traditional, and when a child reaches the age of 15, parents perform “out of the garden” or “adults” for the hipsters. Tsiaozhou is an art-oriented institution, which uses gold and silver-line embroidery, regardless of material and work-time costs, and the Tsingzhou wood sculptures are attached to the gold sculptor. More than 40 techniques, such as titanium, titanium sarcophagus, titanium sculptures, titanium ceramics, titanium paper clippings, titanium clays, titanium mosaics, and titanian masonry, which are characteristic of the society as a whole, are the inheritance of the “prosecution” and “precision” of the traditional Chinese culture, the materialization of the spirit of the tidal state culture, the display of Chinese aesthetics, and the expression of the Chinese nation's love for life and its desire for the beauty. To sum up, Tianzhou culture, which is an important pillar of Chinese culture, has always maintained the value orientation, aesthetic pursuit and national identity of the Chinese culture of excellence, regardless of its diversity and its long-term transmission. The Chinese culture has been concentrated on several occasions in the south, in the Yangtze plains around the Phoenix Hills in Dongdong, and through the persistence, integration and diffusion of generations of Tianzhou people, the Tianzhou cultural system is unique to its traditional culture. There's a lot of Tide State culture out there. It is often said that “one tidal state abroad” is an indication of the presence of a large number of people abroad. From the beginning of South-East Asia to the aftermath of this, in the United States, Europe, and Oceania, the spread of tidal footprints is an important part of Chinese migration abroad and a continuation of the ethnic story of tidal booms. During the Xuantang era, Chiuzhouns began to cross the sea, followed by waves of tidal wavers arriving in South-East Asia. After Qing Dae-hee Kang-hee, maritime trade resumed and became active on an ever-increasing scale, and the “Red Headship” became a cultural symbol of tidal traders at the time. Linked to maritime commerce, the expansion of overseas migration has led to the first wave of migration of tidal-states to South-East Asia in the late eighteenth century. Since the opening of the port in 1860, improved transport conditions have led to a rapid increase in the number of migrants to South-East Asia, resulting in a second wave of migration. The vast ocean gives tides a natural sense of adventure, and the smallness of the population forces tides to go abroad to trade and migrate. As the sea silk road and tides go down the ocean, the tidal state culture naturally moves abroad, with powerful radiation and influence. "Where there are tidal States, there are tidal States." In China’s recent modern history, the tidal wave has been a major out-of-country migrant, with large numbers of immigrants, large geographical areas, and long migration periods, which are rare in the world. From the bottom of the leaf to the bottom of the ground, the diaspora has gradually developed. According to Chauzhou City Gazette (1992-2005), in 2005, the city of Chauzhou emigrated to more than 40 countries and regions on five continents. Singapore accounted for 42 per cent of Tianzhou emigrants, Thailand 33 per cent, Malaysia 7 per cent, Indonesia 4.4 per cent, Viet Nam 4.6 per cent, the United States 2 per cent, and older persons, Cambodia, plus, France, the United Kingdom, Brunei Darussalam and Australia. The Chaozhou culture is a dynamic and open system that combines farming culture with ocean culture, Chinese immigrant culture with native culture, Chinese culture with world civilization for a long time. In its long-term development, China’s culture, “Wascha oriente,” has always kept the tone based on its powerful cultural genes, and on the massing of communities. Moreover, the arrival of this unique group, Dr. Nakahara, has given it both a cultural character of “deterrence and discipline” and a higher degree of commitment, respection, and self-perception with respect to China’s excellent traditional culture. The tea is a way of life for people living in the country and abroad. After a self-contained system, Chiuzhou culture spreads abroad as a result of the migration of tidal groups, while incorporating other cultural factors. Extremists continue to practise Tianzhou culture in the country. In South-East Asia, in particular, tidal waves of overseas migrants, who are linked to the diaspora, maintain very close interaction with the mainland, and bring the Tianzhou culture to the rest of the world. In South-East Asia, the Tianzhou custom has been preserved in its entirety by the establishment of populist festivals and the passage of folklore festivals. At present, there are about 15 million Chinese diasporas and their descendants from overseas (formerly the capital of the Tianzhou State) in the five continents of the world, accounting for one fifth of the country's expatriates. Expatriate family members have inherited the virtues of filtration, patriotism and love, which have made a significant contribution to the prosperity of their communities and to the development of their homelands and homelands. The tide has its roots in Tianzhou; it has its roots in the future. At this time, Tianzhou City is making every effort to host the annual meeting of the International Tide League in 2024. The annual conference of the Sorority International is the most influential international event known by the tides, both within and outside the country, and is a sign of solidarity and great development for the world's people. Chiuzhou is the home of the capital city, the birthplace of the Tianzhou culture, and, above all, the common spiritual home for the local and foreign tides. On 26 June, at 9 a.m., the President and Secretary-General of the twenty-first annual meeting of the International Tide Leagues will be held in Haikou, Hainan Province, at which time eligible members will elect the host of the twenty-second annual meeting of the International Tide League from the city of Tianzhou, the city of Tianjiang, the Singapore Tianhai State Pavilion, the Philippine General Chamber of Trade and five units of the Cambodian Tianzhou Pavilion by secret ballot. The Tianzhou culture, which is an important pillar of Chinese culture, is a long-standing historical painting volume and, more importantly, a “beautiful pavilion” towards the future. As a central part of Chiazhou’s culture, the Hill and Water City Bridge is perfect, and the Three Mountains and One Continents guard the ancient city. For many years, Chiuzhou, following the principle of strict control over the city as a whole, has preserved it in its entirety. At the present time, Chiuzhou still has the true nature of ancient mountain waters, ancient city patterns, architectural mythology, and ancient city life. The Chiuzhouns live and work in ancient cities, a city that is living, smoked, humanized, and warm. China's traditional cultural richness has been preserved in all aspects of the Chiuzhou culture. San Shui-Song City embodies the traditional philosophy of oneness. The fine arts and crafts reflect the high cultural aesthetic standards of the Chinese nation. The unique folk tradition preserves the loyalty of the Chinese people to the Chinese people and the spirit of the Chinese people's filial spirit. The fine-working, monolithic Chinese foods reflect the Chinese nation's love for life and optimism. In this way, we sincerely invite people from all over the world to enter Tianzhou and experience Tianzhou culture, so that together in this living ancient city of the millennium, taste history can nourish the present and create the future.

Note: This is a translated version of the Chinese news media article. A mature and nuanced reading is suggested.

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